Houston Writers Guild Annual Conference

Tomorrow will be a big day for this editor! I’m going to be a speaker at the Houston Writers Guild annual conference. My presentation is called “Preparing to Work with and Later Working with an Editor.” It was an honor to be asked to speak. I’ll also serve on the Q&A panel again with a few literary agents.

This conference is a big event in the Houston writing community, and it offers so many great resources for writers (both beginners and pros). Some writers set up tables to promote their latest works, other professionals in the publishing industry feature their skills and services, and a few agents make themselves available to hear pitches from writers. Registration is available via the link above. Come say hi if you see me!

Editor Amy


A Great New Children’s Book

I had the pleasure of working with author Denise Ditto Satterfield on her first book in the series The Tooth Collector Fairies. It’s truly a sweet, special children’s book, and I’m so happy that it came out how it did. Check it out here.

Here’s a brief description:

“In the magical land of Brushelot, it is Batina’s first day collecting teeth. She is determined that her humongous wings will not interfere with her mission. But on her way back, with a tooth secure in her pouch, her wings cause her to tumble, and the tooth is lost. Batina must call on her best friends, Lainey the brainiac and little Lulu, to work together to save the day.”

This book is even coming to life as a musical at a local performing arts center!


I enjoy keeping up with many clients, even after our work together is done. Many of them have produced amazing works and are on their way to making even more. There are a lot of great ideas out there, and I’d love to help as many authors as possible reach their goals.

Editor Amy

Another Successful Client

I just love when my clients meet their ultimate writing goals. It’s a great feeling when they come back to me and excitedly tell me that their books (that I edited) have been published. I know how important their work is to them, and it’s a privilege to help shape those books into even greater works.

This children’s book was written by Cathey Nickell, and it’s such a unique concept and has beautiful illustrations to go with it. It’s available here.

Here’s a description: “Arthur Zarr is a quiet man with few friends. His life is rather plain, and his car is plain too. But not for long! Mr. Zarr finds happiness and makes friends by building an amazing art car. In this whimsical story, children learn about recycling, community, friendship building, and the power of imagination. The book includes a History of Art Cars page for readers who’ve never heard of this creative form of artistic expression.”

Those of you still working toward publishing goals, keep at it! And if you’d like my help, please let me know.

Merry Christmas!

Editor Amy


OK, I promise that I am working on blog posts with more words in them. I’m actually working on a two- or three-part series about book publishing, but that’s taking a while in between editing things. They’ll be awesome when I do complete them, though!

Moving on. I love funnies (cartoons, puns, pictures, etc.) about grammar, writing, editing, and all that good stuff. Sure, some may be groaners (or just lame, according to many), but if they’re about my passions, I’m likely to love them. Makes sense, right? So today, I want to pass some on to you in case you feel the same way. Here are just a few that I really like. If you have some great finds of your own, please share!

Editor Amy

Ex and q marks--EditorAmy



Do You Need an Editor?


I’m sure it’s no surprise that I love this graphic. I don’t know whom to give credit, but it’s great. I wish I could show it to everyone who writes, whether professionally or on the side and in hopes of being published. Every type and piece of writing can be improved with professional editing. “Professional” is the key word.

Many people think they don’t need editors, I believe because they know how to read and write, took English classes, and maybe consider themselves to be good at spotting their own mistakes or errors on signs. They must think that’s enough. It’s strange coming across that. Some people are downright adamant and insist that they don’t need editors. I doubt many surgeons come across the same thing. How many of us would feel confident that we could put a screw in someone’s broken limb or even close a wound with stitches or staples (at surgeon standards)? I took biology and a health-tech. class in high school. Am I semi-qualified? Could anyone who likes to debate and knows a handful of laws do a lawyer’s job? I seriously hope that people would seek professionals for those services.

Should editing be an exception? I’ve learned so much as an editor, and when training to be an editor, that I never would have learned in regular, daily life. (Now, not all editors meet the standards, but I won’t go into that. I will upon request, though.) I don’t want to come across as having no sense of humor or discourage those with a love of language; it brings a smile to my face when I see that someone likes what I posted about writing or editing on my Facebook page, and I encourage people to keep learning about what they love. I just wish more people acknowledged editing as something truly professional–like it is. Let the pros handle your novels, your graduate theses, your business proposals, your websites. If you find a great editor, you’ll love the results. Sure, it takes some work on your part to find and hire the right editor, and there will probably be revisions to work on, but it’s worth it for something you care about–something you want to look its best.

Now, look at the funny graphic again and laugh!

Editor Amy

Errors We All Make

In any career field, there are notable greats. In editing, one of the better-known copyeditors is Bill Walsh, who edits for the Washington Post and has also written a few funny yet helpful books about language, writing, and editing. The man knows his stuff, and he even takes time to answer questions from the public when they struggle with writing scenarios or need a second pair of eyes (professional in his case) to look over tricky sentences. He recently came up with a list of twenty common errors that experienced and inexperienced writers routinely make: www.copydesk.org/blog/2015/03/26/20-nagging-errors-made-by-the-experienced-and-inexperienced-alike.

One instance that probably doesn’t get a lot of thought (but should) is saying something that includes the words “one of those,” which is the first item on Bill’s list. Look at this example and see if you can identify the correct verb: “Nikki is one of those people who drive/drives too fast.” I bet most people would choose “drives” because it links with “Nikki,” which is who we’re talking about, right? Nikki drives fast. That makes sense, after all. Technically, though, “drive” is the correct choice. The sentence is actually saying that Nikki is a member of a group of people who drive too fast (people drive). Bill reworded his example to make more sense, and it applies to mine as well. You could say “You know those people who drive too fast? Nikki is one of them.” I don’t care for the way the original version sounds, using the correct “drive,” so I’m likely to reword sentences like that to avoid the “one of those” phrase all together. This is definitely a common problem.

One thing I totally disagree with Bill about is number nineteen on his list: “The serial comma is done” (as in dead). (The serial comma is the comma before “and” in a series: “red, white, and blue” instead of “red, white and blue.”) Here’s why he considers it dead: He edits for a newspaper, and newspaper workers use the Associated Press Stylebook as their guide. Most other types of publications in America refer to books like the Chicago Manual of Style (my favorite), and the serial comma is absolutely called for. I’m surprised Bill actually made such a blanket statement when I know he’s aware that other style/reference books use the serial comma. My strong preference is for the serial comma, but I still tell people it’s a style choice and that consistency is important either way. When I edit books, I always ensure the serial comma is applied since most (if not all) American publishing companies require it. Plus, using it prevents a lot of cases of confusion/ambiguity, which is crucial in writing.

Check out the rest of the list for yourself. Are there any items you have questions about or disagree with? Any shared pet peeves? Let me know!

Editor Amy